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Q: Are We Not Men? A: We Are Devo! Deluxe Remastered Version

November 14th, 2009
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Q: Are We Not Men? A: We Are Devo! Deluxe Remastered Version
 
Manufacturer: Warner Bros.
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Product Description

When Devo's debut album came out in 1978, nobody knew what to make of the mutant new-wave quintet from Akron, Ohio. With Brian Eno's skillful production, Mark and Bob Mothersbaugh, Jerry and Bob Casale, and Alan Myers emerged fully formed and outrageous with their razor-sharp social commentary and exhibition of subversive media savvy. Beyond their industrial uniforms and pseudo-devolved demeanor, Devo also happened to be a rocking little band. Classic rave-outs like "Mongoloid," "Jocko Homo," and "Uncontrollable Urge" illustrate the band's perky-jerky intensity. On their inimitable cover of the Rolling Stones' youth anthem, "Satisfaction," Devo's avant-garde robot funk takes the song to a new level of alienation and discontent. While the band went on to greater fame, this was the only album they made that truly mattered. --Mitch Meyers

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No comparison!
 
Review Date: May 28, 2004
Reviewer: jason gilmour, Toronto, Ontario
O.K. I'd like to start off by pointing out that this record was the end result of DEVO's long and complicated de-evolution from multi-media project to major label "pop" band. The reviewer that wrote something about DEVO ripping off some idiotic Euro-dweebs has no idea that almost all of the songs on this perfect album were being developed since 1974-75. Lookie here spud, DEVO were WAY head of "new wave", "electro" or whatever pretentious label you wanna give it. Yeah, Kraftwerk were around before DEVO but man, those guys took themselves SO seriously! DEVO created a kind of glorious primitive futurism that is complex while being darkly funny. DEVO are part freak show, part futurist, part goon and 100% pure godhead. That said, "Are We Not Men" is a blistering manifesto and a great record.
Are We Not Brilliant?
 
Review Date: October 10, 2004
Reviewer: Westley, Stuck in my head
Devo stormed onto the music scene with their 1978 debut; the CD starts perfectly with the "yeah yeah yeah yeah" rumble of "Uncontrollable Urge." They build on this auspicious beginning with their remake of "(I Can't Get No) Satisfaction," which always sounds to me as though the music consists solely of a synthesizer backed with garage tools being banged together. I love the irony of these rather contained and arty "rockers" opening their debut CD with two such completely hedonistic songs.

Some of the songs are peculiar - including "Space Junk" and its protagonist, Sally, who is always being hit with, well, space junk. A few songs might also be a little offensive in this age of political correctness, especially "Mongoloid" and "Sloppy (I Say My Baby Getting'); however, the lyrics are so absurd that it's clear that they shouldn't be taken seriously. The masterpiece here, arguably, is "Jocko Homo" - which contains the unforgettable chorus for which this CD was named - Are we not men? We are Devo! The group even calls themselves pinheads in this song.

Devo has always been uncategorizable. Are they punk? Are they new wave? Are they rock? Nowadays of course, a number of bands successfully blend musical styles (e.g., Flaming Lips), so it's not as revolutionary. However, I can only imagine what people thought of this CD in 1978. I was only 8 when this CD was released, and other than "Whip It," I wasn't very familiar with their work until recently. I bought this CD about a year ago because I was impressed by Mark Mothersbaugh's film score work, including the delightfully whimsical "Rushmore." Needless to say, I think this CD is remarkable, and I plan on buying more Devo music. Many people are also apparently still discovering this defunct group, as this CD didn't go gold until 2001. It's about time!


The Truth About DE-EVOLUTION
 
Review Date: June 21, 2000
Reviewer: Jim Conway, Kentucky
1978 was the height of the disco craze, with millions of Americans shaking their respective bootey's to such homogenized drivel as "Disco Duck." But alas, out of Akron OH came five Kent State neo-nerd types who with this one album basically called the bluff of a popular culture that was being force-fed to millions of unsuspecting spuds everywhere. Devo introduced "The sound of things falling apart," or devolution as their satiric theory as to why our "culture" seemed to be regressing backwards.

With incredible production by Brian Eno, Q: Are We Not Men/A: We Are Devo! provides a uniquely clever look at popular culture via 1978's crass commercialism that truly doesn't take itself too seriously.

With the tonge in cheek sentimentalism of "Come Back Jonie," to the over the top outrage of "Gut Feeling/Slap 'Yo Mammy," Devo rocks with a hypnotic urgency that made the New Wave movement so much fun. The listener felt that he/she was privy to someting that not everyone else new about. Also includeded is Devo's interpetation of The Stones' classic,"(I Can't Get No) Satisfaction," and of course their unofficial theme song "Jocko Homo." But what makes this CD so timeless is that Devo could rock! The runaway punk of "Uncontrolable Urge" and the energy-chocked guitar chaos of "Too Much Parinoia," make this stand up even two decades later. This album was more than a clever concept, it delivers the goods.

absolute perfection
 
Review Date: May 18, 2003
Reviewer: race_of_doom, USA
I bought this album with a friend one day, in one of those huge corporate electronics stores. I picked it up immedietely, having heard the greatness of "Jocko Homo" and "Satisfaction" before. My friend looked at the album in my hands, and said the following thing:

"Hah, they had that song 'Whip It,' didn't they?" Immediately afterwards he rolled his eyes. Hmph.

Why Devo is so dismissed as an eighties novelty band is lost on me. Heck, I even like "Whip It" for it's musical qualities. But would you catch me saying that to anyone anymore? No way. I'd get the same response every time.

Sad that those idiots will never listen to this amazing, one-of-a-kind album. "Q: Are We Not Men? A: We Are Devo!" is musically flawless, a combonation of the aggressive post-punk feel with a little (but thankfully, not too much) new wave mixed in. The result is pleasing to the ears and very danceable. Just my kind of music.

I love every single song on this album; I fear that if I began to name off my favorites, I'd list the whole album.

So, I'll just list my top favorites as of right now: there's the wonderful, sort of creepy masterpiece "Shrivel Up," a song with a catchy melody (the kind that will stick in your head for a long time) and odd, kooky lyrics. There's also the near-instrumental "Gut Feeling/Slap Your Mammy," featuring almost two and a half minutes of nothing but amazing music (with a piano thrown in for good measure). "Sloppy (I Saw My Baby Gettin')" has one of the weirdest and catchiest choruses anywhere.

Oh, if only I had the time to name of the merits of each song on here. Seriously, every single song counts. You'll be liking "Come Back Jonee" as much as the classic "Jocko Homo." Although it may take a couple listens to truly get into the vibe of this album, it's well worth it.

Come in, Booji Boy!
 
Review Date: June 17, 2001
Reviewer: Scuzzbopper, Pottstown, PA United States
This is the album that re-defined music and is considered one of the most ground-breaking albums in music history. Damn straight. Released in 1978, when everyone was shaking their hairy butts to disco fever, geeks and misfits everywere were rocking out to the robotic riffs of 5 spudboys from Akron, O-hi-O. However, lots of people say this the only good album Devo ever made.... It's not my favorite Devo album (that honor would go to Duty Now For The Future) but it still kicks major rump. The synth was not yet made a necessity and as a result, plenty of guitars abound. Every single track rocks the house down, especially the underrated masterpiece "Gut Feeling/Slap Your Mammy". "(Sloppy)I Saw My Baby Gettin" is hilarious and you just can't resist chanting along to the classic Jocko Homo. The album ends perfectly with the ominous and creepy Shrivel Up. A great pastiche of Devo at their prime and one of the most acessable, too. The hideous rendition of Chi Chi Rodriguez on the cover is guaranteed to freak out your parents. Buy it buy it buy it!
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